22.2.11

Resorts at Sea: February

Kudos to the fine folks at the San Francisco Public Library for funding the project that digitized back issues of the Pacific Marine Review. I've seen the journal referenced, but the thought of actually tracking down copies (in the Midwest) was not a pleasant one. Gathered by year, the resulting PDF is anywhere from 500 to over 1,000 pages. (Yikes.)

I've only downloaded six years so far. There's some overlap with what I already have, which is to be expected, but I am discovering new information, and pictures galore! Since several of the ships I'm studying were with companies on the West Coast, the coverage takes on a different perspective than in East Coast or European publications.

Yes, I know the image shown is from February 1933, before the range of study, but it would be lax to not set the stage leading to the advent of American Contemporary, or Mid-Century Modern. And, the Matson liners, like the one shown, underwent huge renovations after World War II, negating in part my post from last month. Whoops.

Better get back to downloading; I've about 20 years left.

15.2.11

The Roadkill Clarinet Quintet

When I first approached this project, I thought it would be pretty straight forward. Well, that can quickly lead to pretty boring. That is until one phrase the committee wanted to see on the poster jumped out: Music from the Dance Era. And for some reason, my mind went to that dark place known as The Lawrence Welk Show, and that's when things got weird -- I mean, that's from where the circle or "bubble" motif sprung. (Champagne music ... bubbles ...)

I then Googled big band and swing band posters for further inspiration with mixed results. Color schemes, yes, but over all thunderbolt moments, not so much. Although, most of them used circles in their designs, so my instincts weren't completely off the rails.

This group does not have a logo. Earlier efforts on my part involved playing up the word "roadkill." No, no, no, merely a strip of highway as a design element, nothing more. Now I did pick this particular typeface for the tail on the "Q" as it is quite pronounced, even animalish. Tilting the word "clarinet" and giving it a different color, emphasizes the sound we'll hear. (At first I thought the instrument in the lower left of the group photo was a saxophone, but it's a bass clarinet. Who knew?)


I put the submitted group photo through some editing -- color to black and white, square to circle. The border is reminiscent of the design touches from the Swing Era. The real trick was arranging the bubbles without them looking like part of rotary phone or bad Swiss cheese. It's a lot of work to make something look haphazard and organized at the same time. I also played with the transparency of the dots to give a variety of depth.

For sanity's sake,  not every bit of information went into a bubble. The pertinent info: date, time, place, etc. is down at the bottom. It's an interesting look, and not like anything I've done before.


The tickets tie into the original design, but the look is obviously less complicated. Kirksville Arts is stilll small enough not to have an electronic ticketing system, like Tessitura. As long as that's the case, why not do something special?

I may be doing the program too, but I've not seen a set list yet. So there may be more to come.

8.2.11

Snowmaggedon 2011

Despite the fact the recorded snowfall after the 2,000 mile wide storm last week was 15 inches, we didn't get the winds that others received; the winds known for causing those dramatic drifts. There are enough trees where I'm at which probably didn't help. (Well, they helped in a good way.) And I wasn't about to go galavanting to the real trouble spots, because that's just asking for it. Oh, and never take the dog for a walk and try to take pictures at the same time.

Yeah, that's about as interesting as it got in terms of snow drifts. I really like the middle one, though.
It almost looks like a tailfin from the 1950s.

Adventures in multi-tasking.

1.2.11

Twelve Angry Men

A few weeks back, a friend of mine posted on Facebook he was watching this movie. At the time, I was, too. It's a classic. Henry Fonda, Lee J. Cobb, Jack Warden, directed by Sidney Lumet. He also mentioned that when in high school, they read the text aloud. I had totally forgotten when I was in high school (in a different state), that we did, as well. The author, Reginald Rose, wrote it for television, had a hand in the movie, and later adapted it for the stage.


The photograph is mine. I erased the sky in order to put in the black background. I tried it with the sky in, but it just didn't work. It was a gut decision on using lower case for the text. I think the movie did it (no, that's not why), but they used a sans serif. Maybe because angry men are usually "small" men in character. I'm split on whether I like this with a border or without.