Showing posts with label america. Show all posts
Showing posts with label america. Show all posts

28.8.13

Resorts at Sea: Oh yes, it's another ss Argentina post

I’ve said on several occasions the 1948 postwar renovation of Moore-McCormack’s Argentina has been an obsession.

Given the controversy surrounding the modern art in her newly renovated spaces, obtaining color photos was paramount. Granted, there will be some instances where black and white will just have to do, because some of these ships simply didn’t have a long enough life where color photos exist. Two of the pieces are in the hands of the Smithsonian, two more were published in Fortune magazine, and I’ve found one more in a brochure. But Loren MacIver’s mural Voyage has been the proverbial white whale. I came across a stunning black and white photo of Voyage in an issue of Interiors + Industrial Design a few months back, but I still wanted that color.
 

I found a brochure online. What surprised me was given the vitriolic comments lobbed at this art photos containing said art were still being used as late as 1952, which is the date on the brochure I won. (While I have read calls to change out the artworks, it was never done.)


Ok, this should satiate my need for all things Argentina for the moment. This month, I’ve been reviewing the papers of sculptor Austin Purves, Jr. through Smithsonian microfilm. He did work for America, United States, Santa Rosa, and Santa Paula. So much to process, but it’s been very fun looking at the creative process.

27.11.12

Resorts at Sea: November

The image to your right is what’s known in the academic world as a “primary source.”

A recently acquired addition to my collection, this Section of Fine Arts publication, Bulletin No. 22, dated September 1940, is the list of awards for the Competition for the Decoration of the SS PRESIDENT JACKSON [sic]. Though I’ve created such a list from a variety of sources, this is the proverbial Grail. (Well, aside from the correspondence notifying the winners.) It also mentions a report presented by the jury evaluating the works submitted and ultimately chosen which I would really love to track down. And I cannot believe it took them only four days to examine the 1,462 designs, but that’s what it says. Alas, there are no pictures of the winning designs in this publication.

Now I need to find the bulletin announcing the President Jackson competition for the submission guidelines. Only here will we find size requirements that have only been hinted at elsewhere.

One of these works found its way to the National Gallery of Art in DC. The de Kooning mural for the President Jackson’s library was done in four sections, and is 60 inches high and 190 inches wide. The Jackson was requisitioned for World War II service in 1941, laid up in 1958, and scrapped in 1973. This mural was given to the NGA in 1971, and is currently in storage.

That two year discrepancy made me wonder if any other works had been rescued. I asked the NGA for further details regarding the provenance of the de Kooning. They were unaware of this competition and eager to help. Their file notes said someone was working up a book regarding de Kooning and contacted the Maritime Administration on the whereabouts of this library mural. Arrangements were made to board the Jackson, which was at anchor in the Reserve Fleet in Suisun Bay. They examined the mural, and prepared it for removal and shipment.

With the exception of the dining room, all the public rooms were on the Promenade Deck. During a walk around, they took notice of another large work, Adelaide Briggs’ overmantel in the main hall and that was later shipped to the American Merchant Marine Museum in early 1973. The NGA also said sometimes works of art from the various WPA projects were ultimately transferred to the Smithsonian American Art Museum, and try contacting them to see what they know. One of the curators at the SAAM was unaware of this competition and wrote off these works as lost.

Given the fact that practically all of the art in this project has been destroyed over the years, I had prepared myself for more of the same; though finding the de Kooning was a glimmer. In looking through a Shipyard Bulletin (magazine for Newport News Shipbuilding) summarizing the restoration of the America after her World War II service, I saw a photo of the officer’s mess, and in the background was a mural. I emailed Bill Lee – historian for the America – and he confirmed that aside from a few pieces of sculpture, the art work was either exposed or covered up.

Officer's Mess on the West Point (ss America in peacetime).
At right is Barry Faulkner's decorative marine map.
The mess was in the First Class Smoking Room.

So … the art onboard the President Jackson-class traveled the globe during World War II, was laid up along with the ships by the late 1950s, and destroyed when those ships were scrapped in the mid-1970s. Man that sucks. However, one of the articles I’ve turned up is now in the files of the National Gallery of Art, and that’s very cool.

16.12.09

The Big Ship

*Update (10 January)*  
The addition of two renderings of the renovation with explanatory text.

I referenced the ss United States in an earlier post (Won't you let me take you on a sea cruise?). These photos are from a trip to Newport News, Virginia I took in 1990. It was my first experience with a 35mm camera, one or two rolls didn't develop due to my ineptitude, but I am happy with the results I did achieve. A lot of happy accidents.

The sun is just hidden by the foremost tip of the bow. I couldn't have planned it better if I tried.

This is roughly two-thirds of her 990 foot length. The stacks are so massive. All aluminum; they just need a sandblasting and they'd be as good as new. The faint splotches of green are parts of the original primer coat from 1952.
Looking aft. The streaks along the hull are a little disconcerting. However, she was built to such exacting specifications, it was recently stated the rivets in her fuel tanks look six months old (not bad for being built in 1952), and most of her hull is at 92% of its original thickness.

She starts with a fine tip at the bow, and ends with another fine point at the stern. Her original home port of New York was painted over at this point and "Seattle" put on. Below are renderings from July 1980 of the proposed renovation. I understand the futuristic leanings to bring her up to date, but egad. Most of the Promenade Deck would be "preserved" however I've seen sketches of the color schemes. Late '70s/early '80s browns. Ugh.
Just aft of the Grand Ballroom -- formerly the First Class Ballroom -- were the Restaurant on the port side and the "Navajo" Lounge on the starboard. Those spaces would have been completely reconfigured.
 
In this rendering of the aft stack, you can see the tricked out fins and a completely rebuilt Bridge Deck with the proposed running track on top.
 
A year after this trip, in 1991, she was sold on the courthouse steps for back rent. A few months after that, her new owner had her towed to Europe for asbestos removal. Then back across the Atlantic to Philadelphia where she sits today. Norwegian Cruise Line is the current owner, but she's for sale.

I do hope for her preservation. The United States is a testament to American design and engineering. Several organizations are working like mad to prevent her scrapping. While it would be a stretch (yet awesome) to see her sail again, I'd be fine with a floating museum in the lines of the aircraft carrier Intrepid in New York.

She's been gutted save for the engine spaces, so whoever does the work has a blank canvas. I'd like to see her First Class public areas rebuilt, and if the original pieces can't be bought back, remake them. Enough space for 300-400 "passengers" and perhaps some condos. A museum in the lower areas. Former cabin spaces could be used to replicate cabins from famous ships, like Titanic, Normandie, Queen Mary, although the primary focus should be more on American passenger ships such as Leviathan, Manhattan, America. So many possibilities. But her original exterior lines should not be touched.

Damn it, we were able to save the Queen Mary, why not the United States?